WHY MUSIC IS FOOD

[Lire la traduction française de cet article ici]

This year, as many of you know, I decided to start up my own record label. Beating Drum was born nearly a year ago and now that we’re almost into 2014, I wanted to take the opportunity to tell you about how things have been going the last few months.

Beating Drum has taken some small but significant steps forward, I released my 5th album ‘Between Dogs and Wolves’ as well as the book/CD ‘Songs I Love’. Starting up a label, shouldering the weight of responsibility both artistically and financially has been a big challenge but it’s one that I’ve really enjoyed and welcomed. I think that one of the main reasons I have taken well to this new activity is that I’ve realized that communication is a common theme in all that I do from trying to write good songs, making music and running the label.
And luckily I enjoy it.

In the music industry, the financial crisis, changing technology, coupled with the rise of social networks have altered the rules of the game. So many things have changed over the last few years and the times when physical music sales were almost taken for granted if an artist toured or was reviewed are well and truly over.
Today, most people simply don’t buy music anymore, they stream. With royalty collection from streaming sources ridiculously low, it’s safe to assume that for the most part today, artists can’t rely at all on earning anything through that particular source. So where do artists and musicians earn enough to keep working and pay for a roof over their heads? Most of us are surviving through a combination of touring, publishing and limited physical or digital sales.

One of the things that has changed in our 21st century is that we’ve seen the birth of a kind of responsible consumerism.
Today it matters where and how we choose to spend our limited resources. Buying a product today is no longer simply based on whether you like it or not but on many other criteria. In the case of food for example, it could be on how it was produced, whether it’s in season, locally grown with a low carbon footprint, unethical, harmful to the environment, etc, etc. The act of buying today carries with it a small but significant political choice, by becoming aware of how things are produced, we can choose to finance and support them or even boycott them, either decision will impact positively or negatively on the producer or manufacturer.
I receive many messages from people who tell me that although they stream for the majority of the music they listen to, because they like what I do and approve of how I go about things, they decide to buy directly from the shop on my website. They know they make a difference and it’s greatly appreciated.

Music is like food and songs are like fruit and veg. Although we don’t cook music and eat it, just like good food, it nourishes us nonetheless but everything comes at a price. When we go to the local market here in the Cevennes in southern France and buy the food for the family, we try to support local farmers because price-wise, we know they can’t compete with the large supermarkets. By buying directly from the farmers within our community, we get to eat good healthy food and in the process help them stay in business. It’s a partnership: the farmer needs us and we need him but if we all go to the big supermarkets, he’ll go out of business! There are many small farmers who make fantastic products raised and farmed locally or organically but they need patronage to keep doing what they do. More importantly, they need us to know that they’ll go out of business if enough of us don’t buy directly from them.
Communication is the key.

I can’t, alone, buy from every local goat’s cheese farmer to keep them all in business but I can choose to consciously place my limited budget for food in the hands of those whose practices and produce I want to support. And so it is with music, I can’t buy hundreds of albums a year but I can buy selectively from those whose music I want to support and where I know it’ll make a difference. That way the farmer gets to continue growing good food and the musicians we like get to carry on writing and producing their music.
Most people stream today to listen to music which is great because of the huge array of music they can discover in the process but for some when they come across an artist whose work they love, they buy. They buy because they know it makes a difference.

I’ve spoken to many other musicians and label owners and the consensus is that for bands and artists to develop and carry on making music today, no sale of an album can be taken for granted. Each individual sale, however small, is part of a collective sum that can make the difference between sinking or swimming. Because of the extreme direction the market has taken, every person who buys an album today is to mind a kind of patron. Their decision to buy in CD, vinyl or download or even to buy merch has a massively positive consequence on the music and output of the artists they buy.
I know this not only because this year I released my music through my own label Beating Drum but also because in 2014 we’ll be releasing a young and as yet unknown artist, the talented Swedish singer and songwriter Jenny Lysander. It’s a daunting prospect given all that I’ve written about above but because of the new music business models that are being created built on the relationships and partnerships between those that love listening to music and those that love making it, i’m excited about what we can do together!

So to those of you who have reached the end of this long post and to especially to those of you who have bought an album or a book from me this year, thank you! Your decision to join my newsletter, to buy from me and from my shop and my label is invaluable.

Piers.

SONGS I LOVE #18 THERE’S A MAN GOING ROUND TAKING NAMES

Click here to download the track for free (in exchange of your email)!

This summer, Sylvie Lewis and Dawn Landes came to visit me at my home; Sylvie had written to me a few weeks earlier to say that she and Dawn were passing through en route to Spain and would love to meet up and hang out for a day. At that time, I was in the middle of proof reading the last version of the Songs I Love book before sending it off to the printers but it felt like as good a time as any to start on the next installment of the series.
Dawn and Sylvie had been singing ‘Way Over Yonder in the Minor Key’ by Woody Guthrie during their summer tour and although we initially thought about doing that one, it inspired me to get out some old Lead Belly vinyls. Woody Guthrie and Lead Belly who played and recorded together were undoubtedly among the greatest and most prolific American songwriters of all time and both of these unique writers documented their age in the most profound way, carrying the torch for the disenfranchised and the poor.
Their songs, like the great American literature of the time such as Steinbeck’s ‘The grapes of wrath,’ stand as pillars of 20th century American culture; almost everything I hear today pales in significance compared with the power of these two songwriting giants.

In the end I suggested to Dawn and Sylvie we record a song Lead Belly used to sing, ‘There’s a man going round taking names’. I’ve always loved this song although I’ve never quite grasped the meaning of the lyrics. There’s such a power to the words ‘there’s a man going round taking names’ – both profound and slightly sinister, my sense is that it refers to being marked out for hell or heaven according to our actions. (If anyone knows the significance and meaning of this song, please let me know!)
It was a joy to sing it with Dawn and Sylvie in one take, sitting around one microphone, the window open and the birds joining in outside.
Vol 2 of Songs I Love is underway!

Buy collector book/cd ‘Songs I Love’ here : Beating Drum shop

Click here to download the track for free

FREE MP3: Il Cammino

Between Dogs and Wolves is the most personal record I’ve ever made, I wanted it to be a mirror of where I am and what I am. I speak English, Italian and French and I have a colorful past and the album is a mirror of my background. It’s the first time I’ve written a song in Italian. For this album, I wanted to play with the sound of different languages, singing a song in French and another in Italian. Melodies sound so different when you sing them in different tongues. I’m almost hoping that people won’t notice when I switch to sing in a different language. It’s a tricky thing to do, I hope I pulled it off.

Listen to “Il Cammino” and get your Free MP3 (in exchange of your email):

How I made the video for Missing Words


Written and directed by Piers Faccini
Animated, cut out and shot by Piers Faccini and Estelle Jauneaud
Editing and post production by Estelle Jauneaud

‘Missing words’ is the third video I’ve made to accompany the new album, Between dogs and wolves. I wanted to stay within the same aesthetic of cut out paper silhouettes that I made for the album artwork, using it as a starting point for each video.

For ‘Black Rose’, I used a combination of puppetry and projections of shadows and silhouettes to animate the sequences while ‘Reste la marée’ was more of a classic meticulous stop motion project on which I collaborated with No-mad films.
The lyrics of the chorus of ‘Missing words’ are, “where should I go for all the things I don’t know and where should I leap for the good faith I can’t keep.”
For these lyrics, I had this idea to illustrate the chorus with the silhouette of a running man, I made a couple of quick tests using a paper figure and was immediately excited by the results.

Just as I was beginning to imagine filming myself running and deconstructing the sequence in order to animate it, I remembered the work of one my favourite photographers, the Victorian pioneer of photography and early cinema, Edward Muybridge.
I first discovered his work through the paintings of Francis Bacon who famously transformed Muybridge’s images of wrestlers into his lonely lovers grappling on a stripped mattress under a bare lightbulb. Muybridge was one of the great innovators and pioneers of photography and early cinema and there’s such a remarkable poetic beauty to his work. Deconstructed in his stop frame images, banal and everyday human and animal locomotion becomes extraordinarily profound and haunting.

MUYBRIDGE

What I realised when looking at the animated photographs of Muybridge was how long I could look at them without ever getting bored, almost as if the repetition made them even more fascinating. In a way this is one of the functions of art; by drawing our attention back to the reality of our experience, everyday gestures and movements can become imbued with poetry. A horse running, a bird flying, a man running, dancers waltzing fuse into liquid visual poetry.

MISSING WORDS PIC 7

The challenge was to work within this repetitive series of images and movements over the course of three minutes. As I was busy for hours on end cutting up the individual sequences of paper silhouettes, I realised that not only could I animate the cut out ‘positive’ paper images but also the ‘negative’ ones, ie the paper left behind with the silhouette removed. Some of my favourite sequences in the video were done in this way, filling the shape left behind by the cut out silhouette with red and blue paper. Animating them in this way gave me another way to play around and vary the colour of the video.
Because the song is about missing words, words unspoken or words fatefully left behind, I had the idea to cut out and also animate in stop motion certain lines from the song. In this way I could literally hilight the dance of words and letters the song plays with. I wanted to draw attention to the power and beauty of words that our lives and relationships rely on, transforming them from chaotic hieroglyphs into the signs and symbols we recognize.

MISSING WORDS PIC 5

In the end we’re all running into the unknown, chasing words and promises, jumping from one leap of faith to another. But more than a chase it feels like a dance, our dance of missing words.

MISSING WORDS PIC 4

I had the intention of making this film by myself just like I’d made Black Rose but with all the other numerous things I had on with the new album, I realised that I needed help to finish the extremely painstaking task of cutting out each individual frame on paper; for this video there were more than two hundred individually cut out paper figures without mentioning all of the cut out letters!

For this I was assisted by the talented young artist and designer Estelle Jauneaud. Once I had shot all of the single paper images as well as the very fiddly sequences with the cut out letters, I passed the baton to Estelle who began the equally painstaking task of editing the countless individual jpegs of each individual still frame and placing them in their final animated sequence and form.

Making this kind of video is a real labour of love, I couldn’t have made it without Estelle’s technical know how, keen artistic eye and a large dose of patience!

Check out the two previous videos, directed by Piers Faccini for the album Between Dogs and Wolves: